When working with ceramics, the process is what is most decisive for me. Form does not appear as a finished result - it is born through feeling, observation and gradual building.

I seek form through line, allowing it to develop in space and transform into volume.

At the center of each work is an inner void. I do not simply create form – I build it around the space that remains inside. This space is the key element of the composition. My task is to form, preserve, and make the presence of the absent visible.

I am not interested in the perfection of the surface or technological flawlessness. I do not work with the idea of ​​eliminating “defects”, but with the search for harmony of line and form. A state of equilibrium between the plastic capabilities of the material, technological processes and the emotional tension of the form are ideal for me.

I do not construct the form as a shell or outer clothing. I sculpt it as an emotion that gradually materializes through the movement of the line. The line becomes a body, and the form is its volumetric extension.